Collaborations
Please find below some of the award-winning films that I have had the pleasure in providing my services and original music scores.
Global Warning
Documentary Feature Film
Synopsis:
Set in the epicentre of Canada's energy industry where the debate is having more impact than perhaps anywhere in the world, audiences are swept into a learning experience that takes them into private meetings at the UN and US Congress.
Case Study:
For this film project I submitted several 5 min pieces of music to the Director, Mathew Embry. This music had been inspired and based upon a series of conversations we had, where Mathew described the film’s outline story and how he wanted the audience to feel.
The topic for this film was very sensitive. I needed to reflect both sides of the argument about climate change, as well as the views of numerous parties involved in the film.
As I had very little footage to watch at the start of this process, and we were up against a very tight scheduling deadline, I prepared Music Illustrations with musical themes for the main opening sequence and several other key elements of the film’s story.
Through using my imagination and the emotions I personally began to feel towards the story and its implications, I was able to produce the music needed for early edits.
The final themes were approved by the Director and Producer. The Music Editor and I were then able to create all the music cues for the film inspired by and based around the initial music I had composed.
The Secret Marathon
Award-Winning Documentary Feature Film
Synopsis:
Inspired by a story of courage, a young woman and her legendary marathon mentor train in secret for the Marathon of Afghanistan, only to uncover that for the runners, this marathon is much more than just a race.
Case Study:
I have a close relationship with the Filmmakers, and was fortunate to be brought on very early for this film. I shared early Music Illustrations, based on the initial conversations we had about the story.
Throughout the writing process, I was able to get valuable feedback about the music and the emotions it was creating for the creative team, allowing me to dive deeply into the main musical themes.
The film underwent several changes during the editing stage. This was due to one key character having to be removed entirely from the film, due to her receiving threats.
This character’s story was replaced by animation, giving the film an entirely new feel. I worked closely with the Editor during this challenging time to ensure that the music was respectful to her story and still allowed the audience to feel engaged and connected.
This was one of the most collaborative projects I’ve worked on. I’m deeply proud of the final product that we created together, despite incredible constraints and challenges.
Hellfire Heroes
Television Series
Synopsis:
In the Canadian West, there lives a special breed of firefighter. These are the men and women who serve and protect the communities in which they live with bravery and devotion. The stress is high and there’s no room for error.
Case Study:
I was brought onto this project during the early editing stage. I was asked by the Executive Producer to produce an Exclusive Music Collection, containing original music that the editors could use for the episodes being made for Season 1.
Before any music was written, we undertook an assessment of how the Producers wanted the show to look and feel. Our collaborative efforts and the use of Music Illustrations, helped us to arrive at a place where we discovered the overall feel for the show.
After this, it was a process of depicting numerous ‘scenarios’ that the show would contain in the episodes in the first season. I used these scenarios to inspire the music for the music collection.
In the collection, numerous themes were broken into further music cues to give the library a wider selection of music for the editors to pick from.
We finally delivered over 15 different musical themes and over 230 music cues - amounting to approximately 2.5 hours of music. The music collection was also used in Season 2.
Eviction Notice
Documentary Short Film
Synopsis:
Midfield Mobile Home Park is in a prime location, a 17-acre inner-city site located at the one of the busiest sections of the city. In 2014, residents received an eviction notice: the park was to be be closed on September 30th, 2017. The date was set for the final battle in a war that had been raging for 20 years.
Case Study:
I was invited by the Director, Laura O’Grady, to provide an Original Music Film Score. Unfortunately, due to an unexpected and incredibly tight deadline we didn’t have the time to explore all of our initial creative ideas. This was mainly in part due to the film being accepted into Hot Docs, shifting and expediting the time-frames.
I had to start with writing early Music Illustrations which were based on the story Laura had shared with me. Once I had the first draft edit to work with, I was then able to focus on the emotional content of the story and the key characters.
This was a fast track collaboration and because of the time-frames, I had to rely heavily on my own intuition to hit the mark with the music.
As the edit developed, we did make minor changes to the music, but I was proud that, as a team, we managed to find the overall feel and tone we were looking for and that we achieved this in such a short timeline.
The film was screened at Hot Docs, to a sold-out audience.
Living Proof
Award-Winning Documentary Feature Film
Synopsis:
Diagnosed with the Multiple Sclerosis, filmmaker Matt Embry embarks on a journey to meet top MS experts to find hope for treatment. He questions if Big Pharma, academia, government and multiple sclerosis charities are keeping MS patients from accessing alternative treatments for the sake of profit.
Case Study:
I was fortunate to be involved with this film project during the early editing process. The Director, Mathew Embry, sent me some rough clips to watch as inspiration for my early Music Illustrations.
During our discussions, we talked a lot about the subject of MS, the impact the film would have on people with MS and how it could change people’s perspective on the current treatment options. Whilst working on the early Music Illustrations, it was announced that the film had been accepted into TIFF (Toronto Film Festival). This quickly developed into an ‘all hands on deck’ effort by the team to deliver the finished film within a very challenging deadline.
I decided to work on various elements of the story’s timeline and the emotions these key moments created in me. This enabled me to start writing themes. Mathew was keen on me exploring these themes more, as we laid the Music Illustrations into the early edit.
As the film was rapidly pieced together, I was delighted that all of my Music Illustrations ended up in the final cut.
Having the opportunity to view the film as it was being edited, and having direct access to Mathew (who the film was based around) gave me valuable insight and an abundance of inspiration.
I have such deep respect for Mathew, his family and all of the creatives who helped mke this film.
In 2018, I was nominated for Best Original Music Score, AMPIA Awards.
Mule - Living on the Outside
Award-Winning Documentary Short Film
Synopsis:
John Sears, aka Mule, has been roaming the western United States with his three mules for thirty years, trying to find balance between the man‐made and the natural worlds, moving from place to place as they please. While many appreciate Mule’s nomadic lifestyle he’s not welcomed everywhere.
Case Study:
Film Director and Producer, John McDonald, was the first to try my Emotiff Discovery Method™. Our collaboration helped me develop my process further and become what it is today.
At first, John was a little nervous about using the image cards and questions, as this was a new concept to a seasoned award winning filmmaker. Through our collaborative session and discussion, we were able to explore multiple layers of how the film came to be, what he considered to be the main emotional elements of the story, and we had a deep exploration about it’s main character, John Sears - aka Mule. The image cards uncovered layers even John had forgotten. I couldn’t wait to start writing music!
We had a very open and honest collaborative approach to finding the music that matched John’s vision. Some of my early Music Illustrations were not initially what John had first expected, but he was very happy with the results we had discovered together.
John trusted me to follow my creative intuition and this gave me the freedom to provide him with the final Music Score for his award-winning film.